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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Heinrich Wölfflin ： ウィキペディア英語版 Heinrich Wölfflin Heinrich Wölfflin (21 June 1864, Winterthur – 19 July 1945, Zurich) was a Swiss art historian, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. He taught at Basel, Berlin and Munich in the generation that raised German art history to pre-eminence. His three great books, still consulted, are ''Renaissance und Barock'' (1888), ''Die Klassische Kunst'' (1898, "Classic Art"), and ''Kunstgeschichtliche Grundbegriffe'' (1915, "Principles of Art History"). == Origins and career == Wölfflin was born in Winterthur, Switzerland and is buried there. His father, Eduard Wölfflin, was a professor of classical philology who taught at Munich University and helped found and organize the ''Thesaurus Linguae Latinae''. Wölfflin studied art history and history with Jakob Burckhardt at the University of Basel, philosophy with Wilhelm Dilthey at Berlin University, and art history and philosophy at Munich University where his father had taught. He received his degree from Munich University in 1886 in philosophy, although he was already on a course to study the newly minted discipline of art history. Wölfflin's principal mentor, and the chair of his doctoral committee at the University of Munich, where Wölfflin got his doctoral degree was the renowned professor of archaeology, Heinrich Brunn.〔Mark Jarzombek, ''The Psychologizing of Modernity''. (Note: this latter reference is incorrect as is much of the documentation inJarzombek's book. The chair of Wölfflin's committee was not Brunn, but his philosophy mentor. Brunn was NOT on the committee). (Cambridge University press) 2000,p. 47; See also: Joan Hart's Dissertation 1981 for an extended analysis of Woelfflin's dissertation where the correct documentation can be found.〕 Greatly influenced by his mentors, particularly neo-Kantian Johannes Volkelt (''Der Symbolbegriff'') and Heinrich Brunn, his dissertation, ''Prolegomena zu einer Psychologie der Architektur'' (1886) attempted to show that architecture had a basis in form through the empathetic response of human form. It is considered now to be one of the founding texts of the emerging discipline of art history, although it was barely noted when it was published. After graduating in 1886, Wölfflin published the result of a years' travel and study in Italy, as his ''Renaissance und Barock'' (1888), the book that evaluated the pathological "Baroque" as a new stylistic category and a serious area of study. For Wölfflin, the 16th-century art now described as "Mannerist" was part of the Baroque aesthetic, one that Burckhardt before him as well as most French and English-speaking scholars for a generation after him dismissed as degenerate. On the death of Jacob Burckhardt in 1897 Wöllflin succeeded him in the Art History Chair at Basel. He is credited with having introduced the teaching method of using twin parallel projectors in the delivery of art-history lectures, so that images could be compared when magic lanterns became less dangerous. Sir Ernst Gombrich recalled being inspired by him, as well as Erwin Panofsky. Wölfflin taught at Berlin University from 1901 to 1912, Munich University from 1912 to 1924 and Zurich University from 1924 until his retirement. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Heinrich Wölfflin」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.